Operation Girlfriend
Whenever I find myself overseas, separated from the 30 odd aunts,
uncles, and cousins, not to mention parents, sisters and close
friends, Thanksgiving is always the worst of the worst when it comes
to homesickness. And although this week was suspiciously absent of
gigantic Snoopy balloons, Turkey and 'the brood', it did see me add
one person to my life in a rather significant way.
Yes, dear friends, relatives, and people looking for porn in
completely the wrong place, my heady days of singledom are far far far
behind me, which is to say say I have hung up the proverbial smoking
jacket of the swinger and donned the sensible cardigan of the attached
male.
The dirt: her name is Ding Ding, we met at my art school, she's two
years my junior, we started seeing each other less than a month ago,
and have been officially going steady for less than a week now. And
yes, she's a much much better artist than me.
As one of half of a newly minted couple, I am doing my best to uphold
the time honored tradition of mentioning my girlfriend to absolutely
everyone, especially when it means I sound completely ridiculous. For
example, riding in a taxi the other night I told the driver I was
especially happy because I had just asked a girl that I liked very
much to be my girlfriend, and hey, what do you know, she said yes! And
the taxi driver laughed in that way Chinese people do when they are
extremely uncomfortable and said, "Haha! You Americans are more open
than us Chinese!"
In fact, the Chinese are so uncomfortable about sex that I have yet to
see a single Chinese underwear model or otherwise half-clothed Chinese
male or female on a billboard and yet scantily clad whiteys abound.
One gets the idea that the entire country is under the impression that
kissing causes pregnancy and that babies come from cabbage patches.
On the other hand, couples can be seen holding hands all over campus,
canoodling on park benches and otherwise engaging in hanky-panky. And
condoms can be found in the supermarket next to the chewing gum and
Snickers bars, which can only mean one thing: Chinese college students
really like making lubricated balloon animals.
In other news, Helene and I auditioned for a Chinese production of A
Doll's House. We were eating lunch at a cafe that recently opened just
off of campus with another classmate and our very friendly waiter
eagerly pointed out the casting call poster. She mentioned that the
director had stopped by earlier and that he said he was especially
looking for foreigners with good spoken-Chinese. I wrote down the
contact info and Helene arranged a meeting with 'Pink' (he later told
us he choose this name because 'Pink Floyd' was his favorite band) the
very next day at Heida.
Sipping milk tea in a little coffee shop and talking about beat
generation writers (like Jack Kerouac) and post-modernists (like
Samuel Beckett) while French chanson music played softly in the
background I almost forgot what country I was in. Of course, we were
speaking Chinese, but that was a minor point given the subject matter.
We also talked a little about Ang Lee's most recent film, Lust,
Caution, which I saw at the movie house last weekend, complete with,
or 'with-out' I suppose, of 12 minutes of cuts for explicit content.
Pink and I thought it was well done, but as true artistes are wont to
do when discussing Chinese cinema, the conversation soon turned to
Wong Kar Wai and his woefully under appreciated masterpieces. I
mentioned what a friend of mine once told me, that he "doesn't make
films for Chinese people, he makes films for foreigners."
Which begs the questions, why even make films in China if your
audience is a thousand miles away and speaks a completely different
language? Apparently that's what the man in sunglasses himself was
thinking, because his most recent film, My Blueberry Nights, was
filmed in Hollywood and features big name celebs like Nora Jones and
the supremely charming Jude Law. It won't be in theaters in the States
until early next year, but until then I very much recommend checking
out his other films, especially Chungking Express and Fallen Angels.
Neither film is as polished as his later works, such as In the Mood
for Love or 2046, but they both have the same rough vitality of a
really great band on their first album--they may not hit all the right
notes, but there's something there that more often than not gets
edited out of later studio releases.
And while I don't think I'll have time to participate in the play,
what with the whole girlfriend thing (did I mention I have a
girlfriend?), I'm definitely looking forward to more conversations
like that one!
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